Issues of ubiquitous music archaeology: Shared knowledge, simulation, terseness, and ambiguity in early computer music

The reconstruction of tools and artworks belonging to the origins music computing unveils dynamics distributed knowledge underlying some major breakthroughs that took place during analogue-digital transition 1950s 1960s. We document implementation two musical replicas, Computer Suite for Little Boy For Ann (Rising) . Our archaeological ubiquitous-music methods yield fresh insights on both convergences contradictions implicit in creation cutting-edge technologies, pointing design qualities such as terseness ambiguity. Through new renditions historically significant artefacts, enabled by recovery artistic first-hand sources one early computer environments, MUSIC V, we explore emergence exploratory simulations worlds.